Portrait of Lu Xun
Unknown photographer, via Wikimedia Commons, public domain

Lu Xun

1881–1936
Freethinker (he used no label)

Lu Xun lost faith first in the doctors who failed his dying father. By way of Huxley and the Sendai dissecting room he came to "don't know" about the soul. He defended the farmers' gods against the reformers in 1908, attacked "ghost-talk" in the name of science from 1918, and wrote of the Shaoxing ghosts with love in 1926. Only in the last month of his life, never calling himself an atheist, did he say he was certain that when people die there are no ghosts.

The belief timeline

18811936Faith (inferred)c. 1880s-c. 1893The first crackc. 1893-c. 1896Doubt (the real turning point)1898-c. 1906Defence of popular belief1908-12-05Declaration1918-05-15 to 1919-01-15Revision (affection)1925-06 to 1926Restatement1936-09
  1. Faith (inferred) (c. 1880s-c. 1893) — A Shaoxing child inside the festival, hell-picture and ghost-opera culture. Documented only by his adult memoirs of 1926; no document of the time records him as a believer [10][11][12]
  2. The first crack (c. 1893-c. 1896) — His father's illness: the doctors' ingredient lists, the "grievance" explanation, the deathbed ritual and his own shout. He loses faith in the doctors (Q45), not yet in the gods [5][9]
  3. Doubt (the real turning point) (1898-c. 1906) — Evolution and Ethics (1898-1900), geology, then anatomy in Sendai, where by his own 1936 account he "looked into whether souls exist, and the result was: don't know." The boy's loss of faith in doctors becomes a grown student's open question about souls, which is why this mark sits later [15][17][24][59]
  4. Defence of popular belief (1908-12-05) — "Toward a Refutation of Malevolent Voices": "False scholars must go; superstition may stay." He defends festivals, myths and Buddhism against reformers and against half-learned scientism; he does not say he believes [32][36]
  5. Declaration (1918-05-15 to 1919-01-15) — The Madman's Diary (ritual ethics as man-eating), and the Random Thoughts that name "ghost-talk" and spiritualism as enemies of science. This is the public attack, aimed at the ritual code, the "ghost-talkers" and traditional medicine, not at belief as such [44][50]
  6. Revision (affection) (1925-06 to 1926) — The Good Hell Lost, The Eternal Lamp, then the memoirs: Wuchang the ghost "who is also a man", the underworld as the poor man's court, the child's festivals. He still holds that souls and ghosts are not real, but writes about the believers without contempt [55][58]
  7. Restatement (1936-09) — "Death": certain that "when people die there are no ghosts"; "The Hanged Woman": the ghost of revenge is "even less in accord with science," yet the ghost is "more beautiful and stronger than all other ghosts" [59][60]
Notes to the timeline (16)
  1. [10] As a boy the pictures he was allowed to look at openly were the Wenchang Dijun Yinzhi wen tushuo and the Yuli chaozhuan, which showed reward and punishment under the earth; "in China's heaven and earth it is hard to be a person, and harder to be a ghost" — Dawn, 二十四孝圖 [WS], dated 10 May (1926) (Q25).
  2. [11] At seven (Chinese count) his father made him memorise the Jian lue before he could go to the Wuchang festival at Dongguan; he remembers the lesson, not the festival — Dawn, 五猖會 [WS], dated 25 May (1926).
  3. [12] He describes the ghost Wuchang (the "impermanence" messenger who fetches souls) in the Mulian opera and the god-processions of Shaoxing, and says he watched him with delight "together with the lower classes"; the "just judgement is in the underworld" — Dawn, 无常 [WS], dated 23 June 1926 (Q23, Q24, Q47).
  4. [5] His father was ill "about three years and more" before he died; the Preface says he went to pawnshop and apothecary counters daily for "more than four years" — Autobio1925; LXQJ1 p. 269. Accounts differ; see the disputed points.
  5. [9] His father died after the illness; Wikipedia says 1896, aged 35; Lu Xun says only that he was 13 when the disaster began and 18 when he left for Nanjing, with the illness lasting three or four years — WP; Autobio1925. Reported at second hand; the original has not been seen.
  6. [15] At the school he bought Yan Fu's Tianyan lun (Evolution and Ethics) for 500 cash and read it through; "So the world really had a Huxley, sitting in his study thinking so freshly" — Dawn, 琐记 [WS] (Q33); Thoughts no. 25 [WS] (Yan Fu named as translator).
  7. [17] Zhou Zuoren says he copied out a Chinese translation of Lyell's geology (which Zhou calls the Principles) at Nanjing; Lu Xun says the school taught "science, geology, mineralogy" — ZZR1936 (para 5); Dawn, 琐记 [WS.
  8. [24] In the Preface he says that while being taught microbiology by slides he saw a slide of Chinese onlookers at the beheading of a "spy", and decided that "our first task is to change their spirit," to be done by literature; in 藤野先生 the slide is in the second year, in the Preface it is before the end of the school year, in the 1925 sketch it follows two years' study — LXQJ1 p. 271 (Preface, Q2); Dawn, 藤野先生 [WS; Autobio1925.
  9. [59] In "Death" (5 Sept 1936; published 20 Sept 1936) he says "thirty years ago when I studied medicine I had looked into whether souls exist, and the result was: don't know," that he belongs to the "casual party", and that during his 1936 illness "I became certain that I do believe that when people die there are no ghosts" — Death, 死 [WS] (Q28, Q29, Q37).
  10. [32] "Toward a Refutation of Malevolent Voices" appeared in Henan no. 8 on 5 Dec 1908, signed Xunxing, and ends "(to be continued)"; no continuation is in the sources read — Poesheng (note 1 of the 1981 edition; last line).
  11. [36] The essay never says its author holds any belief; it argues the function and dignity of religion. That reading (the defence of belief is not a profession of belief) is this sheet's inference from the text, not a statement by Lu Xun — Poesheng; inference.
  12. [44] In 1925 he writes that he first wrote fiction in 1918 at Qian Xuantong's urging, printed in New Youth, and that this was when he first used the pen name Lu Xun — Autobio1925 (Q35).
  13. [50] Random Thought no. 42 (15 Jan 1919) lists Chinese "national essence" that matches barbarian culture, including spiritualism and phallic worship — Thoughts no. 42 [WS] (Q19).
  14. [55] In "The Eternal Lamp" (1 Mar 1925) a village madman wants to blow out the temple's lamp, which is said to hold the village up, says "I know that even if it's put out, they're still there... but I can only do this for now"; the villagers lock him up — Lamp [WS] (Q27, Q27b).
  15. [58] In 無常 he says the figure of Wuchang is "a creation of us Chinese", not found in Indian sutras; and of the working poor in Shaoxing, "for those who are wronged in life, the ghost is the one with a heart" — Dawn, 无常 [WS] (Q23, Q47).
  16. [60] In "The Hanged Woman" (19-20 Sept 1936; published 5 Oct 1936) he describes the Shaoxing opera ghost with affection and says that "suicide is cowardly and a ghost's revenge is even less in accord with science, but those were ignorant women who could not even read" — Death, 女吊 [WS] (Q30).

The Iron House and the Ghosts

In September 1936, a month before he died, the writer Lu Xun wrote a short essay called "Death." Thirty years earlier, he said, when he was a medical student, he had looked into the question of whether the soul exists, "and the result was: don't know." He had always belonged, he went on, to the "casual party" who did not think about such things. But during the illness of that year he had thought about it, and he had become sure of one thing:

At that time I became certain that I do, in the end, believe that when people die there are no ghosts.12

He had first published fiction in 1918, a story about a madman who reads the history of his country and finds the words "eat people" written between the lines, and he spent the next years attacking what he called "ghost-talk." Yet in 1908 he had written a long defence of the farmers' gods against the reformers who wanted to tear down their temples, and in 1926 he wrote with open affection about the ghosts of the Shaoxing stage. This chapter asks how a boy who lost faith first in his father's doctors came to lose faith in the ghosts as well, and why the man who mocked ghost-talk never stopped defending the people who believed it.

Lu Xun in Tokyo in 1903, a student at the Kōbun Institute.
Lu Xun in Tokyo in 1903, a student at the Kōbun Institute.Unknown photographer, via Wikimedia Commons, public domain

The doctors and the drug guides

He was born Zhou Zhangshou in Shaoxing, in Zhejiang province, in the autumn of 1881; the date in the old calendar was the third day of the eighth month, which Wikipedia gives as 25 September.3 His father was a scholar and his mother, born into the Lu family, was a country woman who had taught herself to read.4 The family owned forty or fifty mu of rice land. When he was about thirteen, a great disaster struck: in 1893 his grandfather was jailed (Wikipedia says over a scandal of bribery in the civil examinations), the family was scattered, and he and his younger brother were boarded with their mother's brother, where people sometimes called him a beggar.56

Then his father fell ill. For three years and more, by one of his own accounts, and for more than four by another, the boy went every day to the pawnshop counter and then to the apothecary.7 The first doctor charged 1.4 yuan a visit, and each prescription called for a "drug guide" that was hard to find: reed root, sugar cane that had survived three frosts, a pair of crickets that were each other's first mates, the skin of a broken drum. Lu Xun did the fetching.8 After two years, he wrote in 1926, "I too gradually lost faith in things like the sugar cane that had survived frost for three years."910 The second doctor offered another explanation. He suggested asking whether some "grievance" from a past life lay behind the illness:

I think we might ask someone to look into whether there is some grievance... A doctor can cure illness but not fate, isn't that so?1110

He also offered a pill to be placed on the tongue; Lu Xun's father thought about it and shook his head.10 When his father lay dying, a woman called Madam Yan had paper money and a sutra burned to ashes and wrapped in paper to be pressed into his fist, and told the boy to call out to him. Thirty years later Lu Xun wrote that he could still hear his own voice, and that each time he heard it he felt it was "my greatest wrong toward my father."1213 His father died, by Wikipedia's date, in 1896.14

His timeline places the first crack here, and it was a crack in his faith in Chinese medicine, not in the gods. Looking back in 1922, he said that once he had studied the new medicine he came to see the old as "a kind of deliberate or unwitting fraud," and felt for the patients and families it had deceived.1516

A woodcut from an edition of the Mulian opera, the play in which Lu Xun watched the ghost Wuchang as a boy.
A woodcut from an edition of the Mulian opera, the play in which Lu Xun watched the ghost Wuchang as a boy.World Digital Library (item 7110), via Wikimedia Commons, public domain

The underworld of a boy in Shaoxing

The religion around him was the religion of the household and the town. The picture books he was allowed to look at openly showed rewards and punishments under the earth. "Under China's heaven," he wrote later, "it is hard enough to be a person, and hard to be a ghost."1718 At seven his father made him learn a history primer by heart before he could go to the festival of the Five Fierce Gods at Dongguan, and what he remembered was the lesson, not the festival.19 What he loved was the ghost called Wuchang, "Impermanence," the messenger who fetches the souls of the dying, as the Shaoxing players acted him in the Mulian opera and in the processions of the gods. He wrote in 1926:

I still remember clearly that in my hometown, together with the "lower classes," I often looked with delight at this ghost who is also a man, rational and feeling, fearsome and lovable: Wuchang.2021

The poor of Shaoxing, he said, put their hope for justice there: "If you ask the common people, they will answer without a thought: fair judgement is in the underworld!"2221

One of the Ten Kings of Hell, the judges of the dead in Chinese popular religion, on a twelfth-century painting now in the Metropolitan Museum.
One of the Ten Kings of Hell, the judges of the dead in Chinese popular religion, on a twelfth-century painting now in the Metropolitan Museum.The Metropolitan Museum of Art, Rogers Fund, 1929 (30.76.290), Open Access CC0

Huxley in Nanjing

In the spring of 1898 he went to Nanjing, to the Naval Academy, and after about half a year moved to the School of Mines and Railways.23 His mother wept, he wrote, because students of "foreign learning" were thought to be selling their souls to the foreigners.24 Religion followed him to Nanjing. On the Naval Academy grounds a temple to Guan Di stood on a filled-in pool where two students had drowned, and every year on the fifteenth of the seventh month the school invited monks to perform the rite that feeds hungry ghosts.2526

At the mining school he bought Yan Fu's Tianyan lun, a Chinese version of T. H. Huxley's Evolution and Ethics, and read it straight through. He remembered his surprise:

Oh! So the world really had a Huxley, sitting in his study thinking like that, and thinking so freshly?2728

The school taught geology and mineralogy, and his brother Zhou Zuoren remembered him copying out a Chinese translation of Lyell's geology.29 An elder of his clan told him sternly that he was in the wrong and gave him a memorial against the reformer Kang Youwei to copy.30 His timeline places the beginning of his doubt here.

The title page of a later printing of Yan Fu's Tianyan lun, the Chinese version of Huxley's Evolution and Ethics that Lu Xun read at the mining school in Nanjing.
The title page of a later printing of Yan Fu's Tianyan lun, the Chinese version of Huxley's Evolution and Ethics that Lu Xun read at the mining school in Nanjing.Sichuan University Library via CADAL (China Academic Digital Associative Library), scan via Wikimedia Commons, public domain
Yan Fu, the translator of Huxley, from the frontispiece of the same book.
Yan Fu, the translator of Huxley, from the frontispiece of the same book.Sichuan University Library via CADAL (China Academic Digital Associative Library), scan via Wikimedia Commons, public domain

Sendai: "don't know"

After he graduated he was sent to Japan; his brother dates his graduation to 1901 and Wikipedia to 1902.31 He chose medicine, he wrote, partly because he had learned that Western medicine had helped Japan's Restoration, and partly because the books he had read had convinced him that Chinese medicine was a fraud.16 He studied for two years at the medical school in Sendai, from 1904 until March 1906 by Wikipedia's dates.32 His anatomy teacher, Fujino Genkurō, told him:

Since I heard that Chinese people greatly respect ghosts, I was worried you wouldn't be willing to dissect a corpse. Now I can relax; it isn't so.3334

Lu Xun does not record what he answered. It was at Sendai, he said thirty years later, that he "looked into whether the soul exists," and the result was "don't know."352

Fujino Genkurō, Lu Xun's teacher of anatomy at Sendai.
Fujino Genkurō, Lu Xun's teacher of anatomy at Sendai.Unknown photographer, via Wikimedia Commons, public domain
A farewell party at the Sendai medical school in 1906.
A farewell party at the Sendai medical school in 1906.Tohoku University Archives, via Wikimedia Commons, public domain

What took him away from medicine, by his own account, was a lantern slide shown in a microbiology class: a Chinese man about to be beheaded as a "spy," surrounded by Chinese onlookers. His three accounts place the slide at slightly different moments.36 His conclusion was the same in each:

A weak and ignorant people, however sturdy in body, can only serve as material and spectators for meaningless public spectacle.3736

The task was to change the people's spirit, and the means was literature. A literary magazine he planned, New Life, collapsed before its first issue.38

1908: in defence of superstition

In Japan he went to hear the scholar Zhang Taiyan lecture; Zhang had taken over the revolutionary paper Minbao in 1906. Zhang's programme was, in Lu Xun's later words, "first, to use religion to arouse faith and raise the people's morals; second, to use the national essence to stir the race."3940 In 1908, under pen names, Lu Xun wrote a series of essays for Henan, a journal edited by Chinese from Henan province.41 In one he retold the life of Shelley, who wrote "The Necessity of Atheism," arguing that religion contributes nothing to love and equality; but this was Lu Xun telling Shelley's story, not stating his own creed.4243 In another he wrote that "those who mock myths as superstition and decry the old religions as shallow are people deluded by themselves."4445

The strongest of these essays, "Toward a Refutation of Malevolent Voices," appeared in December 1908 and ended "to be continued"; no continuation is known.46 It is an attack on the reformers who were "smashing superstition." None of them, he complained, first told people what the right belief was, and without it how could anyone know what was delusion?4748

The human heart must have something to lean on; without faith it cannot stand; the making of religion cannot be stopped.4948

What the reformers called delusion, he wrote, was "a people pressing upward, wishing to leave this finite, relative world for the infinite and absolute."5048 He defended Buddhism, and the village festivals the reformers wanted to ban: "A farmer's consolation, when 'men of purpose' interfere with it, becomes a calamity far worse than a tyrant's."5152 He mocked the half-taught "scientist" who seizes "the shallowest and most mistaken scraps" of theory "and presumes to explain everything."5352 And he summed it up in one line:

False scholars must go; superstition may stay: that is the urgent task of today.5452

The essay never says that its author believes in anything. It argues for the dignity of belief, and for the believers against their reformers; that reading is this book's inference from the text, not a statement by Lu Xun.55

Zhang Taiyan, whose lectures Lu Xun attended in Tokyo, from the frontispiece of his book Qiushu.
Zhang Taiyan, whose lectures Lu Xun attended in Tokyo, from the frontispiece of his book Qiushu.Photographer unknown; scan prepared by redbrow, via Wikimedia Commons, public domain

The quiet years

Back in China he taught chemistry and physiology at Hangzhou, then ran a school in Shaoxing; after the revolution of 1911 the new education minister called him to the ministry, and he moved with it to Beijing.5657 There he copied inscriptions in the Shaoxing Guild Hall, and later he said he used every means "to anaesthetise my own soul."5859 His diary for 1914 records him buying Buddhist sutras and commentaries in quantity, and in July he paid for the printing of the Hundred Parables Sutra, which the editors of the diary say was a gift for his mother's birthday. The diary states no belief.6061 In 1915 he attended rehearsals for the official Confucian rites and a pre-dawn sacrifice; the lines in the diary contain no ridicule.62

A Beijing street in 1919, the city where Lu Xun worked as an official of the ministry of education.
A Beijing street in 1919, the city where Lu Xun worked as an official of the ministry of education.Library of Congress, Prints and Photographs Division, Stereograph Cards, public domain

The madman and the ghost-talk

In 1917 the diary shows letters and evening visits from Qian Xuantong.63 In the preface to his first collection, Lu Xun remembered how Qian (he calls him Jin Xinyi) asked him to write for New Youth, and how he answered with a picture:

Suppose an iron house with no windows that can hardly be broken, with many people asleep who will soon suffocate; they pass from sleep into death and feel no sorrow at dying.6465

In the end he agreed to write, because "Hope lies in the future; I could not use my proof that it cannot be to refute his claim that it can."6665 He wrote "A Madman's Diary," dated it 2 April 1918, and published it in New Youth in May under a new name, Lu Xun.6768

The madman believes his family and neighbours mean to eat him. He reads history to find out why:

I looked up the history. It had no dates; crooked characters across every page spelled "benevolence, righteousness, morality." I couldn't sleep, so I read carefully half the night, and at last from between the lines I made out the words: the whole book was written with two characters, "eat people."6970

The family doctor is an executioner in disguise, and the old pharmacopoeia, the madman says, "clearly says human flesh can be fried and eaten." The story ends: "Save the children..."717270

The opening of "A Madman's Diary" in New Youth, vol. 4, no. 5, May 1918.
The opening of "A Madman's Diary" in New Youth, vol. 4, no. 5, May 1918.Xin qingnian (La Jeunesse), Shanghai, vol. 4 no. 5, scan via Wikimedia Commons, public domain
A later page of the same story, where the madman reads "eat people" between the lines of history.
A later page of the same story, where the madman reads "eat people" between the lines of history.Xin qingnian (La Jeunesse), Shanghai, vol. 4 no. 5, scan via Wikimedia Commons, public domain

The same issue carried two essays against spiritualism, Chen Daqi's "Refuting Spiritualism" and Chen Duxiu's "Doubts on the Existence of Ghosts."73 Lu Xun joined the attack in his short "Random Thoughts." He quoted the other side. The preface of the Celestial Master Zhang Yuanxu, as Lu Xun quoted it, warned that "when awe ceases, morals have no root from which to grow," and a writer in the spiritualist journal that "if the doctrine of ghosts and spirits is not spread, the nation's fate will quickly be cut short!"747576 His answer was:

There is now a class of people who like to talk of ghosts and hate science most, because science makes principles clear, makes thought clear, and does not allow muddle.7776

The cure was "science, the enemy of ghost-talk," and "not skin-deep but true science."7876 Salvarsan, the drug called 606, had been found for syphilis; he hoped for a "707" for diseases of thought, and that medicine, he said, was science.7980 In January 1919 he listed among China's "national essence" spiritualism alongside cannibalism and the trade in people, all of it matching "the culture of savages."8182 His timeline places his declaration here.

The first page of Chen Duxiu's "Doubts on the Existence of Ghosts," in the same issue of New Youth as "A Madman's Diary."
The first page of Chen Duxiu's "Doubts on the Existence of Ghosts," in the same issue of New Youth as "A Madman's Diary."Xin qingnian (La Jeunesse), Shanghai, vol. 4 no. 5, scan via Wikimedia Commons, public domain

The other side

The traditionalist translator Lin Shu answered the whole New Culture camp in a newspaper satire of March 1919, in which a Buddhist demon devours them. His argument was moral: "Nothing is more auspicious than everyone knowing the human bonds; nothing is more calamitous than gentlemen willing to be beasts." He also made a fair point against the claim that the old culture blocked the new learning: "Classical prose does no harm to science and science has no use for classical prose; the two are unrelated, as all know."838485 An ally read the story differently from either. The scholar Wu Yu wrote in New Youth that November that Lu Xun had shown "those who eat people are those who preach the ritual code!"8687 The first public reading aimed "A Madman's Diary" at Confucian ethics, not at religion.

"Whether souls exist I do not know"

In "The New Year's Sacrifice," written in 1924, a narrator comes home to his village at the New Year. A widowed servant, now dying, stops him to ask whether there is a soul after death, and a hell. He has never cared about the question, he tells us, but now he does not know what to say to her, and he answers only, "In fact, whether there is a soul, I cannot say."888990 Another servant has told the widow that in the next world the king of hell will saw her in two for her two husbands, and she has given the temple a threshold to be trampled in atonement.91 The narrator is a character, not Lu Xun, but the uncertainty is the one he had brought home from Sendai.

In "The Eternal Lamp" (1925) a village madman wants to blow out the temple lamp that is said to hold the village up. "I know that even if it is put out, they're still there," he says; the villagers lock him up.9293

The revision: Dawn Blossoms

In 1926, in flight from Beijing and then at Xiamen University, he wrote the ten memoirs of childhood later collected as Dawn Blossoms Plucked at Dusk.94 They are where the doctors, the deathbed, Fujino and Huxley are told; they are also where Wuchang returns, described with delight. The ghost, he wrote, "is truly a creation of us Chinese."9596 The man who had called ghost-talk a disease now wrote warmly of the ghost the poor loved, and of the stage where they found the justice the world above denied them. His timeline places his revision here: not a return to belief, but a return to the affection of 1908 for the people who believed.

The cover of Panghuang (Wandering), a collection of Lu Xun's stories, designed by Tao Yuanqing.
The cover of Panghuang (Wandering), a collection of Lu Xun's stories, designed by Tao Yuanqing.Tao Yuanqing (d. 1929), via Wikimedia Commons, public domain
Lu Xun in 1930.
Lu Xun in 1930.Unknown photographer, via Wikimedia Commons, public domain

The last year

In October 1936 he looked back on Zhang Taiyan's programme of "religion to arouse faith" and judged that it had come to "nothing more than a lofty fantasy."9798 In "Death," that September, he said he was certain there were no ghosts.12 And in the same month, writing about the hanged woman of the Shaoxing opera, a ghost who comes back for revenge, he wrote with irony for the benefit of "progressive" readers: "Of course suicide is cowardly, and a ghost's revenge is even less in accord with science, but those were ignorant women who could not even read."99100 He described her with the same affection he had given Wuchang.

He died in Shanghai on 19 October 1936.101 Five days later his brother Zhou Zuoren wrote that among modern writers "there is hardly a second man who holds such a dark, pessimistic view of the Chinese people."102103

A canal in Shaoxing, the town of Lu Xun's childhood.
A canal in Shaoxing, the town of Lu Xun's childhood.Taco Witte, via Wikimedia Commons, CC BY 2.0

Did his unbelief change shape?

Lu Xun never called himself an atheist.104 He came to unbelief by way of the doctors who failed his father, Huxley's evolution and the dissecting room, and he said so only near the end, and in the narrowest words: when people die there are no ghosts. In between he took both sides. In 1908 he defended the farmers' gods against the reformers, in 1918 he attacked ghost-talk as a disease of the nation, and in 1926 he wrote of Wuchang with love. What did not change was the side he stood on. He was against the half-educated who mocked the people's beliefs and against the ghost-talk of the learned, and he was for the sleepers in the iron house.

Hu Shih, the other sceptic of the May Fourth years, who reached "no ghosts, no soul" by a different road, has his own chapter in this book.

Footnotes

  1. Lu Xun: Death, 死 [WS. ↩ ↩2

  2. Death, 死 [WS] (Q28, Q29, Q37). ↩ ↩2 ↩3

  3. ZZR1936 (para 2); WP (Gregorian date). Reported at second hand; the original has not been seen. ↩

  4. Autobio1925 (para 1 of the sketch). ↩

  5. Autobio1925. ↩

  6. ZZR1936 (para 3); WP. ↩

  7. Autobio1925; LXQJ1 p. 269. Accounts differ; see the disputed points. ↩

  8. Dawn, 父亲的病 [WS; LXQJ1 pp. 269-270. ↩

  9. Lu Xun: Dawn, 父亲的病 [WS. ↩

  10. Dawn, 父亲的病 [WS] (Q45, OQ5). ↩ ↩2 ↩3

  11. The second doctor (called Chen Lianhe in the essay), as reported in Lu Xun's memoir: "I think we might ask someone to look into whether there is some grievance... A doctor can cure illness but not fate, isn't that so?" A traditional reading of illness: the doctor admits the limits of medicine: Dawn, 父亲的病 [WS. ↩

  12. Lu Xun: Dawn, 父亲的病 [WS. ↩

  13. Dawn, 父亲的病 [WS] (Q43, Q32). ↩

  14. WP; Autobio1925. ↩

  15. Lu Xun: LXQJ1 p. 270 (Preface, 1922-12-03). ↩

  16. LXQJ1 p. 270 (Preface, Q1); Autobio1925. ↩ ↩2

  17. Lu Xun: Dawn, 二十四孝圖 [WS] (10 May [1926]). ↩

  18. Dawn, 二十四孝圖 [WS], dated 10 May (1926) (Q25). ↩

  19. Dawn, 五猖會 [WS], dated 25 May (1926). ↩

  20. Lu Xun: Dawn, 无常 [WS] (23 June 1926). ↩

  21. Dawn, 无常 [WS], dated 23 June 1926 (Q23, Q24, Q47). ↩ ↩2

  22. Lu Xun: Dawn, 无常 [WS. ↩

  23. ZZR1936 (para 3); Autobio1925. ↩

  24. LXQJ1 p. 270 (Preface). ↩

  25. Lu Xun: Dawn, 琐记 [WS. ↩

  26. Dawn, 琐记 [WS], dated 8 Oct (1926) (Q34). ↩

  27. Lu Xun: Dawn, 琐记 [WS. ↩

  28. Dawn, 琐记 [WS] (Q33); Thoughts no. 25 [WS] (Yan Fu named as translator). ↩

  29. ZZR1936 (para 5); Dawn, 琐记 [WS. ↩

  30. Dawn, 琐记 [WS. ↩

  31. Autobio1925; ZZR1936; SW1956; WP. ↩

  32. Autobio1925; Dawn, 藤野先生 [WS; WP. ↩

  33. Fujino: Dawn, 藤野先生 [WS] (12 Oct [1926]). ↩

  34. Dawn, 藤野先生 [WS] (Q31). ↩

  35. Lu Xun: Death, 死 [WS] (5 Sept 1936). ↩

  36. LXQJ1 p. 271 (Preface, Q2); Dawn, 藤野先生 [WS; Autobio1925. ↩ ↩2

  37. Lu Xun: LXQJ1 p. 271. ↩

  38. LXQJ1 p. 272; WP. ↩

  39. Zhang Taiyan (as quoted by Lu Xun, citing Minbao no. 6): Taiyan (關於太炎先生二三事) [WS. ↩

  40. Taiyan (關於太炎先生二三事). ↩

  41. ZZR1936 (para 2); Science, Mara, Extremes headers. ↩

  42. Lu Xun on Shelley: Mara [WS] (Feb-Mar 1908). ↩

  43. Mara [WS] (Q16). ↩

  44. Lu Xun: Science [WS] (June 1908). ↩

  45. Science [WS] (Q15). ↩

  46. Poesheng (note 1 of the 1981 edition; last line). ↩

  47. Lu Xun: Poesheng para 9. ↩

  48. Poesheng para 9 (Q9, Q10, Q11). ↩ ↩2 ↩3

  49. Lu Xun: Poesheng para 9. ↩

  50. Lu Xun: Poesheng para 9. ↩

  51. Lu Xun: Poesheng para 10. ↩

  52. Poesheng para 10 (Q8, Q12, Q13, Q14, Q14b). ↩ ↩2 ↩3

  53. Lu Xun: Poesheng para 10. ↩

  54. Lu Xun: Poesheng para 10. ↩

  55. Poesheng; inference. ↩

  56. Autobio1925. ↩

  57. Autobio1925. ↩

  58. Lu Xun: LXQJ1 p. 273 (Preface); also zixu.txt. ↩

  59. LXQJ1 p. 273 (Preface); Q48 [zixu.txt. ↩

  60. Diary (1914), entries listed; texts/diary1914.txt. ↩

  61. Diary (1914, 1915). ↩

  62. Diary (1915); WP. ↩

  63. Diary (1917). ↩

  64. Lu Xun to Qian Xuantong: LXQJ1 p. 274. ↩

  65. LXQJ1 p. 274 (Preface, Q3, Q4). ↩ ↩2

  66. Lu Xun: LXQJ1 p. 274. ↩

  67. LXQJ1 p. 277; WS-TOC. ↩

  68. Autobio1925 (Q35). ↩

  69. The madman: LXQJ1 p. 281. ↩

  70. LXQJ1 pp. 281-283, 291 (Q5, Q6, Q7, Q42). ↩ ↩2

  71. The madman: LXQJ1 p. 283. ↩

  72. The madman: LXQJ1 p. 291. ↩

  73. WS-TOC (新青年/第04卷, 第五號). ↩

  74. The Celestial Master Zhang Yuanxu's preface, as quoted by Lu Xun: "When awe ceases, morals have no root from which to grow." Believer's argument that the fear of spirits sustains moral order, written after the Boxer disaster and the arrival of "material civilisation": Thoughts no. 33 [WS. ↩

  75. Yu Fu, writer in the Spiritual Study (Lingxue) journal, as quoted by Lu Xun: "If the doctrine of ghosts and spirits is not spread, the nation's fate will quickly be cut short!": Thoughts no. 33 [WS. ↩

  76. Thoughts no. 33 [WS] (Q17, Q18, OQ3, OQ4, Q46). Not verified. ↩ ↩2 ↩3

  77. Lu Xun: Thoughts no. 33 [WS. ↩

  78. Lu Xun: Thoughts no. 33 [WS. ↩

  79. Lu Xun: Thoughts no. 38 [WS] (15 Nov 1918). ↩

  80. Thoughts no. 38 [WS] (Q41, Q44). ↩

  81. Lu Xun: Thoughts no. 42 [WS] (15 Jan 1919). ↩

  82. Thoughts no. 42 [WS] (Q19). ↩

  83. Lin Shu (1852-1924), classical-prose translator and traditionalist, March 1919: "Nothing is more auspicious than everyone knowing the human bonds; nothing is more calamitous than gentlemen willing to be beasts." His target is the New Culture camp's rejection of Confucian ethics: LinShu (妖夢). ↩

  84. Lin Shu: "It must be known that classical prose does no harm to science and science has no use for classical prose; the two are unrelated, as all know." A fair argument against the claim that the old culture blocks science: LinShu. ↩

  85. LinShu (OQ1, OQ2). ↩

  86. Wu Yu: "Those who eat people are those who preach the ritual code! Those who preach the ritual code are those who eat people!" Shows that the first public reading aimed the story at the ritual code, not at religion: WuYu. ↩

  87. WuYu (OQ7, OQ8). ↩

  88. The narrator: Zhufu [WS. ↩

  89. The narrator: Zhufu [WS. ↩

  90. Zhufu [WS] (Q20, Q21, Q22). ↩

  91. Zhufu [WS. ↩

  92. The madman of the lamp: Lamp [WS] (1 Mar 1925). ↩

  93. Lamp [WS] (Q27, Q27b). ↩

  94. Dawn, 朝花夕拾/小引 [WS] (Q50). ↩

  95. Lu Xun: Dawn, 无常 [WS. ↩

  96. Dawn, 无常 [WS] (Q23, Q47). ↩

  97. Lu Xun: Taiyan (關於太炎先生二三事) [WS. ↩

  98. Taiyan (Q51, Q52). ↩

  99. Lu Xun: Death, 女吊 [WS] (19-20 Sept 1936). ↩

  100. Death, 女吊 [WS] (Q30). ↩

  101. WP; ZZR1936. ↩

  102. Zhou Zuoren, brother and memoirist, 1936: "Among modern writers there is hardly a second man who holds such a dark, pessimistic view of the Chinese people." Not an opposition voice but the closest observer's judgement: ZZR1936. ↩

  103. ZZR1936 (OQ6). ↩

  104. search of texts/. ↩

In their own words

我還記得先前的醫生的議論和方藥,和現在所知道的比較起來,便漸漸的悟得中醫不過是一種有意的或無意的騙子,同時又很起了對于被騙的病人和他的家族的同情

Lu Xun · LXQJ1 p. 270 (Preface, 1922-12-03)

凡是愚弱的國民,卽使體格如何健全,如何茁壯,也只能做毫無意義的示衆的材料和看客

Lu Xun · LXQJ1 p. 271

所以我們的第一要著,是在改變他們的精神

Lu Xun · LXQJ1 p. 271

假如一間鐵屋子,是絕無窗戶而萬難破毀的,裏面有許多熟睡的人們,不久都要悶死了,然而是從昏睡入死滅,並不感到就死的悲哀

Lu Xun to Qian Xuantong · LXQJ1 p. 274

希望是在于將來,決不能以我之必無的證明,來折服了他之所謂可有

Lu Xun · LXQJ1 p. 274

我翻開歷史一查,這歷史沒有年代,歪歪斜斜的每葉上都寫着『仁義道德』幾個字。我橫竪睡不着,仔細看了半夜,纔從字縫裏看出字來,滿本都寫着兩個字是『喫人』!

The madman · LXQJ1 p. 281

救救孩子……

The madman · LXQJ1 p. 291

我是喫人的人的兄弟!

The madman · LXQJ1 p. 283

『從來如此,便對麽?』

The madman to his brother · LXQJ1 p. 286

伪士当去,迷信可存,今日之急也

Lu Xun · Poesheng para 10

破迷信者,于今为烈,不特时腾沸于士人之口,且裒然成巨帙矣。顾胥不先语人以正信;正信不立,又乌从比校而知其迷妄也。

Lu Xun · Poesheng para 9

人心必有所冯依,非信无以立,宗教之作,不可已矣。

Lu Xun · Poesheng para 9

虽中国志士谓之迷,而吾则谓此乃向上之民,欲离是有限相对之现世,以趣无限绝对之至上者也。

Lu Xun · Poesheng para 9

知识未能周,而辄欲以所拾质力杂说之至浅而多谬者,解释万事。

Lu Xun · Poesheng para 10

农人之慰,而志士犯之,则志士之祸;烈于暴主远矣。

Lu Xun · Poesheng para 10

虽信之失当,而嘲之则大惑也。

Lu Xun · Poesheng para 10

不悟墟社稷毁家庙者,征之历史,正多无信仰之士人,而乡曲小民无与。

Lu Xun · Poesheng para 10

世有哂神話為迷信,斥古教為譾陋者,胥自迷之徒耳

Lu Xun · Science [WS] (June 1908)

著《無神論之要》一篇,略謂惟慈愛平等三,乃使世界為樂園之要素,若夫宗教,于此無功,無有可也。

Lu Xun on Shelley · Mara [WS] (Feb-Mar 1908)

現在有一班好講鬼話的人,最恨科學,因為科學能教道理明白,能教人思路清楚,不許鬼混

Lu Xun · Thoughts no. 33 [WS]

只有這鬼話的對頭的科學!——不是皮毛的真正科學!

Lu Xun · Thoughts no. 33 [WS]

試看中國的社會裡,吃人,劫掠,殘殺,人身賣買,生殖器崇拜,靈學,一夫多妻,凡有所謂國粹,沒一件不與蠻人的文化(?)恰合。

Lu Xun · Thoughts no. 42 [WS] (15 Jan 1919)

魂靈的有無,我不知道;然而在現世,則無聊生者不生,即使厭見者不見,為人為己,也還都不錯。

The narrator of "The New Year's Sacrifice" · Zhufu [WS] (7 Feb 1924)

對於魂靈的有無,我自己是向來毫不介意的;但在此刻,怎樣回答她好呢?

The narrator · Zhufu [WS]

其實,究竟有沒有魂靈,我也說不清。

The narrator · Zhufu [WS]

我至今還確鑿記得,在故鄉時候,和“下等人”一同,常常這樣高興地正視過這鬼而人,理而情,可怖而可愛的無常

Lu Xun · Dawn, 无常 [WS] (23 June 1926)

若問愚民,他就可以不假思索地回答你:公正的裁判是在陰間!

Lu Xun · Dawn, 无常 [WS]

在中國的天地間,不但做人,便是做鬼,也艱難極了。然而究竟很有比陽間更好的處所:無所謂“紳士”,也沒有“流言”。

Lu Xun · Dawn, 二十四孝圖 [WS] (10 May [1926])

這是人類的成功,是鬼魂的不幸……。

Lu Xun (the devil's story) · LXQJ1 p. 510 (Wild Grass, "The Good Hell Lost," 16 June 1925)

「我知道的,熄了也還在。」

The madman of the lamp · Lamp [WS] (1 Mar 1925)

「然而我只能姑且這麼辦。我先來這麼辦,容易些。

The madman · Lamp [WS]

三十年前學醫的時候,曾經研究過靈魂的有無,結果是不知道

Lu Xun · Death, 死 [WS] (5 Sept 1936)

在這時候,我才確信,我是到底相信人死無鬼的。

Lu Xun · Death, 死 [WS]

自然,自殺是卑怯的行為,鬼魂報仇更不合於科學,但那些都是愚婦人,連字也不認識

Lu Xun · Death, 女吊 [WS] (19-20 Sept 1936)

“我因為聽說中國人是很敬重鬼的,所以很擔心,怕你不肯解剖屍體。現在總算放心了,沒有這回事。”

Fujino · Dawn, 藤野先生 [WS] (12 Oct [1926])

我現在還聽到那時的自己的這聲音,每聽到時,就覺得這卻是我對於父親的最大的錯處。

Lu Xun · Dawn, 父亲的病 [WS]

哦!原來世界上竟還有一個赫胥黎坐在書房裏那麽想,而且想得那麽新鮮?

Lu Xun · Dawn, 琐记 [WS]

所以每年七月十五,總請一群和尚到雨天操場來放焰口

Lu Xun · Dawn, 琐记 [WS]

初做小說是一九一八年,因了我的朋友錢玄同的勸告,做來登在《新青年》上的。

Lu Xun · Autobio1925 [WS]

這是《新約》上的句子罷,但經托爾斯泰新近引用過的。

Lu Xun · Dawn, 藤野先生 [WS]

我向來正是這隨便黨裡的一個

Lu Xun · Death, 死 [WS]

特为易信仰,而非灭信仰昭然矣

Lu Xun · Poesheng para 10

夫佛教崇高,凡有识者所同可,何怨于震旦,而汲汲灭其法

Lu Xun · Poesheng para 10

宗教由来,本向上之民所自建,纵对象有多一虚实之别,而足充人心向上之需要则同然

Lu Xun · Poesheng para 10

我希望也有一種七百零七的藥,可以醫治思想上的病。這藥原來也已發明,就是「科學」一味

Lu Xun · Thoughts no. 38 [WS] (15 Nov 1918)

他們的祖師李時珍做的『本草什麽』上,明明寫着人肉可以煎喫

The madman · LXQJ1 p. 283

將紙錠和一種甚麼《高王經》燒成灰,用紙包了給他捏在拳頭裏

Lu Xun · Dawn, 父亲的病 [WS]

有講道學的儒生,也有講陰陽五行的道士,有靜坐煉丹的仙人,也有打臉打把子的戲子

Lu Xun · Thoughts no. 38 [WS]

我對於經霜三年的甘蔗之流也逐漸失了信仰

Lu Xun · Dawn, 父亲的病 [WS]

鬼神為道德根本,也與張天師和仿古先生的意見毫不衝突

Lu Xun · Thoughts no. 33 [WS]

這實在是我們中國人的創作。

Lu Xun · Dawn, 无常 [WS]

我于是用了種種法,來麻醉自己的靈魂

Lu Xun · LXQJ1 p. 273 (Preface); also zixu.txt

我就往仙台的醫學專門學校去。

Lu Xun · Dawn, 藤野先生 [WS]

前天,已將《野草》編定了

Lu Xun · Dawn, 朝花夕拾/小引 [WS] (1 May 1927)

第一是用宗教發起信心,增進國民的道德;第二是用國粹激動種性,增進愛國的熱腸

Zhang Taiyan (as quoted by Lu Xun, citing Minbao no. 6) · Taiyan (關於太炎先生二三事) [WS]

卻僅止於高妙的幻想

Lu Xun · Taiyan (關於太炎先生二三事) [WS]

The other side

夫吉莫吉於人人皆知倫常,凶莫凶於士大夫甘爲禽獸。

Lin Shu (1852-1924), classical-prose translator and traditionalist, March 1919: "Nothing is more auspicious than everyone knowing the human bonds; nothing is more calamitous than gentlemen willing to be beasts." His target is the New Culture camp's rejection of Confucian ethics · LinShu (妖夢)

須知古文無害於科學,科學亦不用乎古文,兩不相涉,盡人知之。

Lin Shu: "It must be known that classical prose does no harm to science and science has no use for classical prose; the two are unrelated, as all know." A fair argument against the claim that the old culture blocks science · LinShu

敬畏絕而道德無根柢以發生矣

The Celestial Master Zhang Yuanxu's preface, as quoted by Lu Xun: "When awe ceases, morals have no root from which to grow." Believer's argument that the fear of spirits sustains moral order, written after the Boxer disaster and the arrival of "material civilisation" · Thoughts no. 33 [WS]

鬼神之說不張,國家之命遂促!

Yu Fu, writer in the Spiritual Study (Lingxue) journal, as quoted by Lu Xun: "If the doctrine of ghosts and spirits is not spread, the nation's fate will quickly be cut short!" · Thoughts no. 33 [WS]

我想,可以請人看一看,可有甚麼冤愆……。醫能醫病,不能醫命,對不對?

The second doctor (called Chen Lianhe in the essay), as reported in Lu Xun's memoir: "I think we might ask someone to look into whether there is some grievance... A doctor can cure illness but not fate, isn't that so?" A traditional reading of illness: the doctor admits the limits of medicine · Dawn, 父亲的病 [WS]

大約現代文人中對於中國民族抱著那樣一片黑暗的悲觀的難得有第二個人吧

Zhou Zuoren, brother and memoirist, 1936: "Among modern writers there is hardly a second man who holds such a dark, pessimistic view of the Chinese people." Not an opposition voice but the closest observer's judgement · ZZR1936

我讀《新青年》裏魯迅君的“狂人日記”,不覺得發了許多感想。

Wu Yu (1872-1949), Sichuan scholar and fellow contributor, 1919: "Reading Mr. Lu Xun's 'A Madman's Diary' in New Youth, I could not help having many thoughts." An ally's reading · WuYu

吃人的就是講禮教的!講禮教的就是吃人的呀!

Wu Yu: "Those who eat people are those who preach the ritual code! Those who preach the ritual code are those who eat people!" Shows that the first public reading aimed the story at the ritual code, not at religion · WuYu

Where accounts differ

PointOne accountAnotherHow the page handles it
Duration of his father's illness"about three years and more" before he died (Autobio1925, 1925)He went to the pawnshop and apothecary counters daily for "more than four years" (LXQJ1 p. 269, Preface, 1922)Say "three or four years, in his own two accounts"
Year of his father's death1896, aged 35 (WP, rev. 2026-09-14)Lu Xun gives only ages: 13 when the disaster began, 18 when he left (Autobio1925); two accounts fit about 1896 but neither fixes the yearSay "about 1896"; check a scholarly chronology (Lee, Pollard)
Graduation and departure for JapanGraduated xinchou, 1901 (ZZR1936; SW1956 "In 1901 he graduated..., the following year awarded a scholarship")Graduated 1902 and left that year (WP)Say "in 1902 he sailed for Japan" (both agree on the departure year) and leave graduation out
When the lantern-slide cameIn the Preface the slide comes before the end of his first school year (LXQJ1 p. 271); in 藤野先生 microbiology is added in "the second year" (Dawn); in the 1925 sketch it follows two years' study (Autobio1925)Whether any such slide existed or is a literary condensation is questioned by researchers not read here (claim 66, unverified)Present as "in his own telling"; say accounts differ on the year; never narrate it as established fact
The Madman's Diary: date of publication"April 2, 1918 issue" (WP); the preface is dated 2 April 1918 (LXQJ1 p. 277)The issue is New Youth 4:5, dated 15 May 1918 (WS-TOC); 2 April is the date writtenSay "written in the spring of 1918, printed in the May issue"
Whether he joined the Guangfuhui in 1908He joined (SW1956)Unclear whether he joined any party (WP)Leave out; it is not about belief
Wikipedia says he "ridiculed" the Confucian rites in his diaries (1915)Diary entries read only record attendance and rehearsals (Diary 1915, 10 and 15 March; Sept)Wikipedia (rev. 2026-09-14), citing a source not givenNot stated in the script; open question
Whether the 1908 essay shows belief or only defends itThe text argues religion is a necessary upward striving and attacks both reformers and half-scientists; it never says "I believe" (Poesheng, this sheet's reading)Standard English-language scholarship (Lee, Lyell, Pollard; not reached) may read it as a statement of his own viewNarrate as "he defended the people's religion; he did not say he held it"; read Lee and Pollard first
Roster line: "attacked superstition and the old religion in fiction and essays"He attacked "ghost-talk", spiritualism, traditional medicine and ritual ethics, 1918-19 (Thoughts nos. 33, 38, 42; Madman)In 1908 he defended "superstition" against its reformers (Poesheng) and in 1926 and 1936 wrote about the old ghosts with affection (Dawn; Death)The script must say both; the roster line is a simplification
Who qualifies as the Qian Xuantong visit of Aug 1917Diary 9 Aug 1917 reads "Qian Zhongji came to talk" (Diary 1917)The editors identify Zhongji with Qian Xuantong; the iron-house talk is undated in the Preface (LXQJ1 p. 274)Say "in 1917" only

List of illustrations

This page uses only public-domain and Creative Commons images; each is credited with its source and licence.

  1. Lu Xun at the Kobun Institute, Tokyo, 1903 (the 'cut-queue' photograph) — Unknown photographer, 1903 · Unknown photographer, via Wikimedia Commons, public domain · Public domain (Wikimedia Commons template {{PD-China-expired}}, in Commons' 'PD US+source' group; photograph taken 1903, before 1931)
  2. 'Xin ke chu xiang yin zhu Quan shan Mulian jiu mu xing xiao xi wen' (Mulian rescues his mother), Ming printed play by Zheng Zhizhen (1518-1595): illustrated opening — Zheng Zhizhen (1518-1595), Ming dynasty (between 1368 and 1644) · World Digital Library (item 7110), via Wikimedia Commons, public domain · Public domain (Wikimedia Commons template {{PD-Art|PD-old-100}}; Ming dynasty printing)
  3. Ten Kings of Hell (one of a set of hanging scrolls), Jin Chushi, Southern Song, before 1195 — Jin Chushi, before 1195 · The Metropolitan Museum of Art, Rogers Fund, 1929 (30.76.290), Open Access CC0 · CC0 (Wikimedia Commons template {{Cc-zero}}; Metropolitan Museum of Art Open Access)
  4. Yan Fu's Tianyan lun (Evolution and Ethics), Commercial Press, Shanghai, December 1930 edition: title page — Yan Fu (translator) after T. H. Huxley; Commercial Press, Shanghai, 1930-12 (translation first published 1898) · Sichuan University Library via CADAL (China Academic Digital Associative Library), scan via Wikimedia Commons, public domain · Public domain (Wikimedia Commons template {{PD-old}}; Yan Fu died 1921; edition published 1930, before 1931)
  5. Yan Fu, frontispiece portrait of the 1930 Commercial Press edition of Tianyan lun ('Yizhe xiang', the translator) — Photographer unknown (frontispiece to Tianyan lun, Commercial Press, Shanghai), 1930-12 · Sichuan University Library via CADAL (China Academic Digital Associative Library), scan via Wikimedia Commons, public domain · Public domain (Wikimedia Commons template {{PD-old}}; edition published 1930, before 1931)
  6. Fujino Genkuro (1874-1945), anatomy teacher at Sendai, c. 1905 — Unknown photographer, c. 1905 · Unknown photographer, via Wikimedia Commons, public domain · Public domain (Wikimedia Commons templates {{PD-US}} and {{PD-Japan}}; photograph c. 1905, before 1931)
  7. Farewell party given by his Japanese classmates at the Sendai Medical College, March 1906 (Lu Xun at far left) — Unknown photographer (Tohoku University Archives), 1906-03 · Tohoku University Archives, via Wikimedia Commons, public domain · Public domain (Wikimedia Commons template {{PD-Japan-oldphoto}}; photograph of March 1906, before 1931)
  8. Zhang Taiyan, frontispiece portrait of the 1906 revised Qiushu (Tokyo, Xiangluan she) — Photographer unknown; scan prepared by redbrow, photographed before 1899; printed 1906 · Photographer unknown; scan prepared by redbrow, via Wikimedia Commons, public domain · Public domain (Wikimedia Commons templates {{PD-old-assumed-expired}} and {{PD-user|redbrow}}; printed in Tokyo in 1906, before 1931)
  9. Street scene, Peking, 1919 (Keystone View Company) — see credit line, 1919 · Library of Congress, Prints and Photographs Division, Stereograph Cards, public domain · Public domain (published 1919, before 1931; Library of Congress states it does not own rights)
  10. Xin qingnian vol. 4 no. 5: first page of Lu Xun's 'Kuangren riji' (A Madman's Diary), signed Lu Xun, May 1918 — Lu Xun, in Xin qingnian, Qunyi shushe, Shanghai, 1918-05-15 · Xin qingnian (La Jeunesse), Shanghai, vol. 4 no. 5, scan via Wikimedia Commons, public domain · Public domain (Wikimedia Commons template {{PD-US-expired}}; journal published in Shanghai 15 May 1918, before 1931)
  11. Xin qingnian vol. 4 no. 5, p. 417: 'A Madman's Diary', section 4, the page with 'Ren yi dao de' and 'Chi ren' (eat people) — Lu Xun, in Xin qingnian, Qunyi shushe, Shanghai, 1918-05-15 · Xin qingnian (La Jeunesse), Shanghai, vol. 4 no. 5, scan via Wikimedia Commons, public domain · Public domain (Wikimedia Commons template {{PD-US-expired}}; journal published in Shanghai 15 May 1918, before 1931)
  12. Xin qingnian vol. 4 no. 5: Chen Duxiu, 'You gui lun zhiyi' (Doubts on the theory that ghosts exist), opening page — Chen Duxiu, in Xin qingnian, Qunyi shushe, Shanghai, 1918-05-15 · Xin qingnian (La Jeunesse), Shanghai, vol. 4 no. 5, scan via Wikimedia Commons, public domain · Public domain (Wikimedia Commons template {{PD-US-expired}}; journal published in Shanghai 15 May 1918, before 1931)
  13. Cover of 'Panghuang' (Wandering), designed by Tao Yuanqing, 1925-26 — Tao Yuanqing (d. 1929), 1925 · Tao Yuanqing (d. 1929), via Wikimedia Commons, public domain · Public domain (Wikimedia Commons template {{PD-art|PD-old-auto|deathyear=1929}}; cover designed 1925, before 1931)
  14. Lu Xun, 1930 — Unknown photographer, 1930 · Unknown photographer, via Wikimedia Commons, public domain · Public domain (Wikimedia Commons template {{PD-China-1996}}: in the public domain in China on the 1996 US restoration date; photograph taken 1930, before 1931)
  15. Canal in Shaoxing — Taco Witte, 2010-01-19 · Taco Witte, via Wikimedia Commons, CC BY 2.0 · CC BY 2.0 (Wikimedia Commons)

Sources

Tier 1 — the subject's own words (writings, letters, diaries, trial records)

  • LXQJ1 Lu Xun, Lu Xun quanji vol. 1 (Lu Xun Memorial Committee, Lu Xun Complete Works Publishing, Shanghai, 1948), page-by-page transcription on zh.wikisource.org (namespace Page:魯迅全集01 (1948).pdf). Local file texts/lxqj1948-v01.txt. Printed page = scan index minus 21, fetched 2026-10-14. Contents used: the Preface to Call to Arms (自序) pp. 269-276; "A Madman's Diary" pp. 277-291; Wild Grass pp. 484 onward (the pieces cited are on pp. 508-512, 526-527). The 1948 pages of 墳 (the 1908 essays) are not transcribed. Short title "Preface" and "Madman" used in claims. The transcription is CC BY-SA text on Wikisource; the work itself is public domain (see Open questions).
  • Poesheng Lu Xun, 破惡聲論 ("Toward a Refutation of Malevolent Voices"), first published in the monthly Henan (河南, Tokyo) no. 8, 5 Dec 1908, signed Xunxing (迅行); text as on zh.wikisource.org (the 1981 People's Literature Press text in simplified characters; the footnotes there are the 1981 editors' and are not quoted). texts/poesheng.txt. Cited by paragraph number of the body (11 paragraphs).
  • Mara Lu Xun, 摩羅詩力說, Henan nos. 2-3, Feb-Mar 1908, signed Lingfei (令飛); zh.wikisource (traditional, from 墳). texts/mola.txt. Unpaginated.
  • Science Lu Xun, 科學史教篇, Henan, June 1908, signed Lingfei; zh.wikisource. texts/kexueshi.txt.
  • Extremes Lu Xun, 文化偏至論, Henan, Aug 1908, signed Xunxing; zh.wikisource. texts/wenhua.txt.
  • Thoughts Lu Xun, 熱風 (Hot Wind) Random Thoughts (隨感錄) nos. 25, 33, 38, 42 (New Youth 1918-19; Hot Wind, 1925): zh.wikisource pages 隨感錄二十五, 熱風/隨感錄/三十三, /三十八, /四十二. texts/sgl25.txt, sgl33.txt, sgl38.txt, sgl42.txt. Dates from the Wikisource headers.
  • Zhufu Lu Xun, 祝福 (Feb 1924), in Panghuang; zh.wikisource. texts/zhufu.txt.
  • Lamp Lu Xun, 長明燈 (1 Mar 1925), in Panghuang; zh.wikisource. texts/changming.txt.
  • WildGrass Lu Xun, 野草; through LXQJ1 (pp. 508-512, 526-527); also zh.wikisource pages 失掉的好地獄, 墓碣文, 這樣的戰士.
  • Dawn Lu Xun, 朝花夕拾 (Dawn Blossoms Plucked at Dusk), essays of 1926 and preface of 1 May 1927 (小引); zh.wikisource pages 父亲的病, 琐记, 藤野先生, 二十四孝圖, 无常, 五猖會, 阿長與《山海經》, 朝花夕拾/小引. texts/fuqin.txt, suoji.txt, tengye.txt, ershisi.txt, wuchang.txt, wuchang-hui.txt, achang.txt, xiaoyin.txt. Years inferred, see claim 57.
  • Death Lu Xun, 死 (5 Sept 1936; first published Zhongliu 1:2, 20 Sept 1936) and 女吊 (19-20 Sept 1936; Zhongliu 1:3, 5 Oct 1936); zh.wikisource. texts/si.txt, nudiao.txt.
  • Taiyan Lu Xun, 關於太炎先生二三事 (9 Oct 1936) and 因太炎先生而想起的二三事 (written two days before his death); zh.wikisource. texts/taiyan2.txt, taiyan1.txt.
  • Autobio1925 Lu Xun, 著者自敘傳略 (autobiographical sketch written for the Russian translation of Ah Q, dated 26 May 1925); zh.wikisource page 俄文譯本《阿Q正傳》序及著者自叙傳略 (1981 People's Literature Press text). texts/russian.txt. Unpaginated.
  • Diary Lu Xun, 魯迅日記 for 1912-1918 (zh.wikisource pages 壬子 to 戊午日記). texts/diary1912.txt ... diary1918.txt. The transcription's month headings are not reliable in 1917 (the "eighth month" heading runs through September); entries cited by year and the entry's own day.
  • Also in research/texts for reference: 彷徨 pieces (在酒樓上, 孤獨者), 燈下漫筆, 娜拉走後怎樣, 論雷峰塔的倒掉, 春末閒談, 狗貓鼠, 阿Q正傳, 藥 and 兩地書 (first part), saved but not cited.

Tier 2 — scholarly biographies and encyclopedias

  • ZZR1936 Zhou Zuoren, 關於魯迅 (16 Nov 1936, in Yuzhou feng no. 29; dated Beiping 24 Oct 1936); zh.wikisource. texts/zhouzuoren-guanyu.txt. A brother's eyewitness memoir: Tier 2 for facts of the early life, not a biography; he disclaims any judgement of the work.
  • SW1956 Selected Works of Lu Hsun, vol. I (Foreign Languages Press, Peking, 1956), introduction "Lu Hsun: His Life and Works"; IA identifier dli.ernet.51693; texts/selworks1-1956.txt. An official PRC biographical introduction (lines about 255-330 of the OCR text; printed page not captured): useful for what the canonical story said, not neutral.
  • Not reached (Internet Archive lending copies return 401 for the OCR text): Leo Ou-fan Lee, Voices from the Iron House (1987) and Lu Xun and His Legacy (1985, IA luxunhislegacy00leel_0); David E. Pollard, The True Story of Lu Xun (2002, IA truestoryofluxun0000poll); William A. Lyell, Lu Hsun's Vision of Reality (1976). These must be borrowed and read for the interpretive disputes (Open questions).

Tier 3 — popular biographies and journalism

  • None used.

Tier 4 — Wikipedia and similar reference sites

  • WP English Wikipedia, "Lu Xun", revision 1374828924 (2026-09-14T09:02:07Z), saved in research/notes/wikipedia-lu-xun-rev1374828924.txt. Used as a map and only where nothing else is cited.
  • WS-TOC zh.wikisource.org page 新青年/第04卷 (table of contents of New Youth vol. 4, with issue dates), fetched 2026-10-14.

Opposition sources — contemporary critics and religious responses

  • LinShu Lin Shu (林紓), 妖夢, Xin Shenbao, March 1919 (Wikisource copyright note: public domain worldwide, author died over a century ago, published before 1931); texts/linshu-yaomeng.txt. See OQ1, OQ2.
  • WuYu Wu Yu (吳虞), 吃人與禮教, written 29 Aug 1919, New Youth 6:6, 1 Nov 1919; texts/wuyu.txt. A reader's response (an ally), OQ7-OQ8.
  • Quoted in Thoughts no. 33 The Celestial Master's preface and the Spiritual Study journal as quoted by Lu Xun (OQ3, OQ4); originals not seen: secondhand.
  • Fuqin the traditional doctor's speech as reported in Lu Xun's memoir (OQ5): reported, not independent.